Artist: White Heat
Links:
https://www.facebook.com/Whiteheattrio
https://soundcloud.com/white-heat-trio
At press time, the words “trio” and
“Heat” are still being used to describe the NBA's defending
champions. No doubt, after tonight's Game 5 with the Spurs, “trio”
and “Heat” could instead evoke the White Heat trio opening
Thursday's Elbo Room show (with Rook and the Ravens, the Lulabelles,
and Paul Rush). The word “trio” is important in the context of
White Heat. The band formerly billed as a duo.
It says nothing negative to me that a
band would eschew the bass guitar, at least early on. A band's
development can be slowed by internecine conflict, the potential for
which increases exponentially with each additional band member.
Whether or not that's been the case with White Heat, which was
apparently formed from the ashes of another band (The Spoilers),
remains to be seen. But if it means focusing on the song-writing
function, or improving the instruments already accounted for, then
the bass is better off being replaced by functional equivalents (like
keyboards or drop-tuned guitars), or added at a later date.
After all, the White Stripes were
already platinum before “Seven Nation Army” introduced
song-critical bass. Rather, their early successes were premised on,
depending on who you ask, nifty song-writing, crazed Robert
Plant-like vocals, or childlike drumming. And though the Meg White
contingent has been getting traction lately (see e.g.
http://grantland.com/features/jack-white-meg-white-white-stripes-lazaretto/),
this seems to be the easy way out for those seeking to trash Jack's
most recent solo work. To my thinking, Meg could have taken a smoke
break, and Jack still would've stole all over Dolly Parton's “Jolene”
like a man possessed (http://youtu.be/ThtOpd8tHSk?t=37s).
In other words, great songs are great
songs – low end be damned. [Enter White Heat.] Because if you've
grown tired of spending every “Sunny Afternoon” since '66 with
the Kinks, try having a “SunDance” with White Heat instead. What
do I have to do, you ask? No matter how hot it gets, just keep
dancing. And if a boss happens upon your beach-based dance party,
charm-and-disarm with a well-placed, “Take it easy on me.” And
though “Momma Says” you got all the right moves, sometimes it
takes more than moves to entice the beach bunny one blanket over.
First, try the pick-up line from Ty Segall's “Dating.” Didn't
work? Now try White Heat's: “I wanna know where my heart is / I
wanna know who you are.”
You're welcome.
*** The author of this review, John
Johnson, plays the cajon for the following band:
http://youtu.be/tMS73-1kCr8
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