Artist: No-Re-Gretz
Link:
https://www.facebook.com/pages/No-Re-Gretz/269635359812503
No-Re-Gretz as a band name is more than
the “no regrets” mantra. It's also a warning you're about to get
bitch-slapped by frontman, Chris Gretz.
There are carefully packaged rock stars
(long/lean; neatly pressed/artfully rumpled); and then there are the
Axl Roses and Chris Gretzes of the world – rock swagger to spare,
until that tightly-wound rock energy unloads all over some
unsuspecting photographer. Luckily, there would be no such incidents
at a venue packed with the No-Re-Gretz faithful.
Gretz easily sells a set marked by
seemingly disparate elements from metal-edged originals and covers
(e.g. “House of the Rising Sun”) to southern rock. And though
Gretz was blessed with a voice made for metal, he's also surprisingly
soulful when he's strapping on an acoustic for the down-tempo
arrangements. But it is quite the treat when he introduces the final
song of the set by saying, “Here's a metal one for you called 'Man
in the Casket.'” After that, it's all
bouncing-off-the-walls-of-the-rubber-room to the maniacal howl of a
caged beast – let, that fucker, out.
Gretz & Co. own every bit of the
stage. Each nook and cranny of its monitor-built stage-front was
filled with a No-Re-Gretz member sitting, standing, jumping off, or
strolling in front of [with wireless guitars].
No-Re-Gretz is firing on all cylinders.
Their fan base is vital and vibrant. They have an easy stage presence
(not to mention gorgeous instruments and merchandise). And most
importantly, No-Re-Gretz is a high energy stage show with
metal-tinged hard rock sure to entertain. The audience was
well-served last night.
*** The author of this review, Henry
Collins, plays the dhaulli for the following band:
http://youtu.be/tMS73-1kCr8
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